ende
Blog Archives

scott g. brooks / washington


My work starts with a desire, and ability, to paint. It comes from an attempt to be part of history, and achieve immortality. It comes from stubbornness and refusing to give up. My work must be personal and private to succeed, so it’s about exposing myself. There are risks and resistance on my part.

Technically, the challenge is to create light, volume, and texture.  Art is a reflection of our time and today, in the midst of the digital revolution, our perception is changing as well. The development of CGI, and it’s ability to synthesise “life” has  forced me to look deeper into how I use paint to represent “life” .

Much of my painting process involves exploring and experimenting. Finding the right color, searching for the correct perspective or vanishing point. The right pattern or gesture of the hand.  I also have a background in illustration,  but I am only now embracing my experience and the technical skills I have learned and incorporating them into my art.

Using a language that is easily understood,  I tell stories. I weave figures, symbols, and  elements  together to create a narrative to share with an audience. © scott g. brooks

www.scottgbrooks.com

albert schweitzer


My first inspiration towards art came from my father. He drew cartoons and would sometimes exhibit his work. As a child I loved the book Where the Wild Things Are. After that, I would take inspiration from Science Fiction. I was fascinated by space creatures, aliens, monsters, goblins, and creatures from my dreams. Much of this was drawn from Omni magazine and MADD magazine, both of which I encountered through a High School art class. I continue to be inspired by Dadaism, Fantasy Art, and Surrealism. My style and inspiration have changed throughout my career.  Now I paint to express the things I have learned throughout my life illustrated by these Critters. I like to incorporate animals and humans as well as patterns and geometric shapes into my art. I have always been inspired by spiritual art, Buddhism, and Christianity. I also take inspiration from different cultural art such as Day of the Dead, aboriginal and tribal art, as well as Mardi Gras parades in South America and Mexico.  © Albert Schweizer

501 West 28th St.   |   Baltimore, MD 21211   |   albertschweitzerart.com

sounds of new york

enjoy the sound of this vibrant city

 

ken grimes


Since decades ken grimes paints his statements and theories about the contact to aliens and extraterrestrial intelligence on the canvas. He refers to the roman “contact” by carl sagan  (american astrophysicist and writer) or he quotes important passages from the novels of bertram chandler (australian science fiction author) in which one of the protagonists is also called grimes. He writes with pencil on his canvas and then paints the background black, the color of the universe. The message will then appear in white, the color of truth, so grimes.

ken grimes lives in new haven and his gallery is in new york city. © n.g.

gallery: 529 West 20th Street, 3rd Floor, New York, New York 10011   |   www.riccomaresca.com

yale


Actually new haven could also be named yale city, because these elite college continues to shape the cityscape not only in an architectural way. New haven has also a great museum (yale university art museum), where headless romans are displayed under the same roof as african- and contemporary art. This museum is a „must see“ in new haven and there is even no entrance fee. I was overwelmed by the artwork of  jean-michel basquiat who passed away in the age of just 28 years. © n.g.

exhibition co_works


co_work goes dresden

We searched for a great place. Directly at Cliff Pond in the Nickerson State Park / Cape Cod. We wanted to sit picturesquely with our vehicle in the background on the sandy beach, the laptop on our lap. Sometimes in life it comes different: At 8 pm local time in dresden when we switched via skype to the opening of the exhibition, we sat in the car and the rain drummed on the roof.

Thanks to my CoWorkers Matthias Bolz, Christian Knecht and Nuno Evaristo, you have greatly represented us and many thanks to Sybille Nütt and her team: you’ve done a great job as always. The hanging of the work looks fantastic and it was a brilliant idea to make your opening speech as a dialogue with us. It was nice that we could participate despite being 4000 miles away. © B.G.

 exhibition “co_works”

sybille nütt gallery

from 25th of sep. to 15th. of nov. 2014 in dresden

www.galerie-sybille-nuett.de/ news

 show up at the exhibition and please forward wonderful greetings from us!

calvin grimm

here is calvin´s website: www.calvingrimm.com